Possessions : Indigenous art, colonial culture, decolonization
Record details
- ISBN: 9780500296592 (hardcover)
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Physical Description:
print
368 pages : illustrations (some color) ; 25 cm - Edition: Second edition.
- Publisher: New York, N.Y. : Thames and Hudson, 2022.
- Copyright: ©2022
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Beginnings -- Landscapes -- Objects -- Artworks -- Presences -- Hierarchies -- Situations -- Identities -- Endings -- Retrospect/Prospect. |
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Available copies
- 1 of 1 copy available at University College of the North Libraries.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
The Pas Campus Library | N 5313 .T46 2022 (Text) | 58500001156256 | Stacks | Volume hold | Available | - |
Summary:
Tribal art has been one of the great inspirations of 20th-century Western art. Europeans such as Picasso, Matisse, Ernst and Brancusi created their own responses to masks, sculpture and other forms of African, Oceanic and American art. But is this a cross-cultural discovery to be celebrated, or just one more example of Western colonial appropriation?