Museum pieces : toward the indigenization of Canadian museums / Ruth B. Phillips.
The practices of Canadian museums to accommodate differences and inclusivity are 'indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips shows how changes in Indigenous art displays, curatorial voice, and authority stem from broad social, economic, and political forces outside the museums and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States and other countries.
Record details
- ISBN: 9780773539068 (paperback)
- Physical Description: xvi, 376 pages : illustrations (some color) ; 26 cm.
- Publisher: Montréal : McGill-Queen's University Press, [2011]
- Copyright: ©2011
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Part one: Confronting and contestation -- Part two: Re-disciplining the museum -- Part three: Working it out -- Part four: The second museum age. |
Search for related items by subject
Topic Heading: | Indigenous. First Nations Canada. First Nations. |
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Available copies
- 1 of 1 copy available at University College of the North Libraries.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
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Thompson Campus Library | E 76.85 .P55 2011 (Text) | 58500001104983 | Stacks | Volume hold | Available | - |
LDR | 02197cam a2200373 i 4500 | ||
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020 | . | ‡a9780773539068 (paperback) | |
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055 | 0. | ‡aE 76 .85 ‡b.P55 2011 | |
082 | 0 | 4. | ‡a305.897/071074 ‡223 |
100 | 1 | . | ‡aPhillips, Ruth B. ‡q(Ruth Bliss), ‡d1945-, ‡eauthor. |
245 | 1 | 0. | ‡aMuseum pieces : ‡btoward the indigenization of Canadian museums / ‡cRuth B. Phillips. |
264 | 1. | ‡aMontréal : ‡bMcGill-Queen's University Press, ‡c[2011] | |
264 | 4. | ‡c©2011 | |
300 | . | ‡axvi, 376 pages : ‡billustrations (some color) ; ‡c26 cm. | |
336 | . | ‡atext ‡btxt ‡2rdacontent | |
337 | . | ‡aunmediated ‡bn ‡2rdamedia | |
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490 | 1 | . | ‡aMcGill-Queen's/Beaverbrook Canadian Foundation studies in art history ; ‡v7 |
504 | . | ‡aIncludes bibliographical references and index. | |
505 | 0 | . | ‡aPart one: Confronting and contestation -- Part two: Re-disciplining the museum -- Part three: Working it out -- Part four: The second museum age. |
520 | . | ‡aThe practices of Canadian museums to accommodate differences and inclusivity are 'indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips shows how changes in Indigenous art displays, curatorial voice, and authority stem from broad social, economic, and political forces outside the museums and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States and other countries. | |
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